Sternberg, Hatfield, & Attachment Theory

Sternberg's Triangular Theory of Love
Sternberg Theory Lee's Love Styles
3 primary components 3 primary love styles
3 components can combine to produce 8 types of loving experiences 3 love styles combine to produce a vast number of secondary styles
Focuses on explaining loving experiences Focuses on explaining definitions of love
Accounts for many types of love Focuses on partnering love
Looks at multiple matches Looks at matches between definitions
 
The Three Components
 

1. Intimacy component:

Signs of Intimacy:

(a) desiring to promote the welfare of the loved one

(b) experienced happiness with the love one

(c) high regard for the loved one

(d) being able to count on the loved one in times of need

(e) mutual understanding with the loved one

(f) sharing of one's self and one's possessions with the loved one

(g) receipt of emotional support from the loved one

(h) giving of emotional support to the loved one

(i) intimate communication with the loved one

(j) valuing the loved one in one's life.
 

2) Passion Component:

3) Decision/Commitment Component:
(B) Commitment to maintain that love
Kinds of Love
 
Type of Love Intimacy Passion Decision/Com.
Non-Love low low low
Liking high low low
Infatuated Love low high low
Romantic Love high high low
Empty Love low low high
Companionate Love high low high
Fatuous Love low high high
Consummate Love high high high
1) Non-love:
 

2) Liking:

3) Infatuated Love: 4) Empty Love: 5) Romantic Love: 6) Companionate Love: 7) Fatuous Love: 8) Consummate Love:
The Components over Time
 

1) Intimacy:

2) Passion: 3) Decision/Commitment:
The Geometry of the Love Triangle:
 
Multiple Triangles of Love
I) Real vs. Ideal: II) Self vs. Other Triangles:
 

III) Self-Perceived vs. Other-Perceived:
 
 
 

Companionate vs. Passionate love
Passionate Love:
 

Stendhal's Theory of Passionate Love (On Love, 1822)
 

1) Admiration:

2) Anticipation: 3) Hope: 4) Romantic Attraction:
 

5) Crystallization: (most important stage)
 

6) Doubt:
 

7) Second Crystallization:
 

Stendhal's theory of passionate love emphasizes:

1)
 

2)
 

3)
 

Hatfield's Passionate Love:
 

(1) physiological arousal
(2) belief that this arousal is caused by a reaction to the beloved.
Cognitive Attribution--
 

Cognitive Biases and Distortions:

Thought in Passionate Love:
 

Self-generated attitude change:
 

The Bridge Experiment (Dutton and Aron, 1974)
 

Results:
 
 
 

Conclusion:

Running Experiment (White et al., 1981)
 

Results:
 
 

Conclusion:

Limits on Misattribution and Excitation Transfer:
 

Companionate love:
 

STERNBERG'S NARRATIVE APPROACH TO LOVE (LOVE STORIES)
Kind of Stories
LOVE STORIES
 
Kind: 

'Love is'

Thought & Behavior Views of Relationship  Roles Advantages Costs Potential for Success
Addiction Strong, anxious attachment. Clinging Behavior I couldn't survive without...... Addict 

Co-dependent

Other feels wanted Other feels suffocated L-M: Higher if partner is co-dependent.
Business Business proposition; Money is power We're in this business together. Partners 

Proprietor 

Customer

Defined Roles 

Unite against threats to firm

Romance is Disaster; cold/ distant L/M because lack intimacy & passion
Collectibles Partner is part of collection; __fits perfectly into my life Collector 

Collectible

Concern for physical welfare Desire to add to the collection L/M
Fantasy Expects to be saved by a knight in shining armor He's my knight in shining armor 

She's my dream come true.

Person needs saving; 

Savior

Admiration & respect for partner Lack realism; Unreasonable expectations poor if fantasy is expected to continue forever.
Game Love is a game I play to win Winner  

Loser

Excitement; Sense of fun Competition;  

Commitment

Variable
Gardening Relationship needs to be nurtured. I tend to my relationship as if it were a rose Gardener 

Garden

Partner cared for; Watered continually Overwatering; Lack of spontaneity Generally 

excellent

Humor Love is strange and funny My wife ran away with my best friend & I really miss him Comedian 

Audience

Sense of fun; See humor in tense situation Not serious; Use humor to cover problem Not good if relationship viewed as joke
Mystery Love is a mystery & you shouldn't be known I have lots of secrets: keep him or her guessing Sleuth 

Mysterious figure

Excitement & unpredictable Partner never gets to know you; double-life; Poor: paranoid concern
Recovery Survivor mentally; after past trauma can get through anything I survived & am ready to start my life over Survivors willingness to undertake challenges Danger of slipping back & partner as transitional object Variable; good if past trauma is not recapitulated
Theater Love is scripted, with predictable acts and scenes For my next act..... Actor 

Audience

Sense of Drama Lack of spontaneity; melodrama  not good discovers it's an act
War Love is a series of battles in a devastating war. I'm ready to fight for what I know is right Victim 

Vanquished

Intense & sustained conflict Poor unless story is shared